Meet astrology dizionario sogni

6 giorni fa crm.myerp.work thumbnail. Keywords: interpretazione dei sogni, dizionario dei sogni, dizionario dei sogni dalla a alla z, significato.
Table of contents

Elements Of Modern Materialism. History Of Initiation. Sciences Occultes. Vision Of Judgment. Lecture On Popular Superstitions. Phrenological Bijou. Robert Dale Owen Unmasked. Memoir Of Mrs Joanna Turner. System Of Phrenology. Tableaux Historique Des Sciences Occultes. Essay On Superstition. Celestial Planispheres. Royal Book Of Dreams. Letters On Demonology And Witchcraft. The Book Of Mormon Palmyra. Astrologer Of The Nineteenth Century. The Gentleman In Black. Astronomico-theological Discourses. Lectures On Witchcraft.

Illustrations Of Phrenology. Spiritual Life Or Regeneration. Seherin Von Prevorst V Familiar Astrologer. Letters On Masonry And Anti-masonry. A Letter To Henry Hunt. Theological Vampire Exposed. Millenial Institutions. Alphabet Of Phrenology. Providence As Manifested Through Israel. Phoenician Ireland. Examination Of Objections. Phrenology Physiognomy. De Linitiation Chez Les Gnostiques. Jane Rider Springfield Somnambulist.

Letters On Natural Magic. Cours De Magnetisme Animal. Lives Of The Necromancers. Observations On Man. Popular History Of Priestcraft. Theory Of Pneumatology. Geschichte Des Madchens Von Orlach. Philosophy Of Sleep. Round Towers Of Ireland. Rapports Inattendus. Raphaels Sanctuary. Pharmacopoeia Homoepathica. Christian Phrenology. Exposition Of The Mysteries. Heinrich Stilling Part2. Further Sabean Researches. Introduction To Astrology. Affidavit Of Maria Monks Mother. Astrologie Von Manetho. Matthias And His Impostures. Fanaticism Its Source And Influence.

History Of The Assassins. The Philosophy Of Phrenology Simplified. Physical Theory Of Another Life. Vandeleur Or Animal Magnetism. New Views Of Christianity. Selections From The Phrenological Journal. Phrenology Proven Illustrated And Applied. Organon Of Homeopathic Medicine. Report On The Magnetical Experiments.

Practical Phrenology. Awful Disclosures Philadelphia. Awful Disclosures Supplemental. Report Of The Magnetical Experiments. Phrenology Known By Its Fruits. Tracts Relating To Caspar Hauser. Review Of The Awful Disclosures.


  1. crm.myerp.work at Website Informer. Visit Sogni Meet Astrology.?
  2. virgo horoscope for november 2 2019.
  3. Oroscopo domani, oroscopo di oggi, Significato dei sogni, Dizionario dei Sogni, Tarocchi Amore.!
  4. moon in sagittarius vedic astrology.
  5. december 21 horoscope for cancer.
  6. pisces horoscope for week of december 23 2019.
  7. Antonio Serra and the Economics of Good Government?

Fabrication Entitled Awful Disclosures. History Of A Female Somnambulist. Journeys Into The Moon. Constitution Of Man. Nouveau Manuel Complet Des Sorciers. Principles Of Homeopathy. Practical Instruction In Animal Magnetism. New Theory Of Animal Magnetism. Phrenological Chart. Examen Du Magnetisme Animal. Philosophy Of Animal Magnetism. Observations On Principal Medical Institutions. Origin Of The Egyptian Language. Further Disclosures.

Exposure Of Maria Monk. The Book Of Mormon Kirtland. The Folly Of Fortune Telling. Phrenology Vindicated. Manual Of Phrenology. Synopsis Of Phrenology. Manual Of Homeopathic Medicine. Count Cagliostro Or The Charlatan. Animal Magnetism And Homoeopathy. Animal Magnetism. Complete Refutation Of Astrology. A World Of Wonders. Short Sketch Of Animal Magnetism. Humbugs Of New York. Treatises On Physiology And Phrenology.

Principles Of Phrenology. Voyage Of Miss Brackett. Lectures On Phrenology. Phrenology Proven Illiustrated And Applied. A New System Of Phrenology. Considerations On Phrenology. Confirmation Of Maria Monks Disclosures. Everlasting Circle Of Fate. Phrenological Inquiries. The Tongue Of Time. Cours De Magnetisme. Phrenological Classifications Of Grimes. Observation De Magnetisme Occulte. The Christian Religion. Facts In Mesmerism. Our Israelitish Origin. Grammar Of Astrology. Thoughts On Phrenology. Philosophy Of Necessity.

Coombs Popular Phrenology. Standard Phrenology. Philosophy Of Mystery. Fowler On Matrimony. Second Advent Manual. Extraordinary Popular Delusions. A Lecture On Consistency. Sturmer A Tale Of Mesmerism. The Book Of Mormon Liverpool. A Crust For The Phrenologists. Mormonism Exposed. An Address Delivered In Bridgeport. Guide To Phrenology. Cerebral Physiology. Cleansing Of The Sanctuary. True Inheritance Of The Saints. A Case Of Successful Amputation. Les Temoins Des Prodiges. The Entranced Female. Magic And Mesmerism. Mesmerism The Gift Of God.

A Return Of Departed Spirits. Letter Of David Bernard. A Warning To Watchfulness. Principles Of Physiognomy. Philosophy Of Mesmerism. Numerous Cases Of Surgical Operations. Hereditary Descent. Herald Of The Bridegroom. Discouraging Empiricism. The New Christian World. Report On Phenomena Of Clairvoyance. Elements Of Animal Magnetism. Lettres Dun Magnetiseur. Essai Sur Magie Prodiges Miracles. Journal Of A Missionary Tour. Part I A Closing Roll. Art De Tirer Les Cartes. Manifeste Ou Vue Generale. Israel And The Holy Land. Trinite Egyptienne. A Letter On Animal Magnetism.

Elements Of Phrenology. Religion Natural And Revealed. Mesmerism Dublin University Magazine. Autobiography Of Heinrich Stilling. A Treatise On Animal Magnetism. Remarks On Revelations. Animal Electricity. Secrets Of Generation. Mesmerism And Its Opponents. An Essay On Human Magnetism. Spectral Visitants. Confessions Of A Magnetizer. El Magnetismo Animal. Ordre Maconnique De Misraim. Friends In Another World. Essai Enseignement Philosophique. Remarks On Mesmerism. Illustrations Of Modern Mesmerism. Mesmeric Experiences. Popular History Of Priestcraft 7ed. My Marine Memorandum Book.

Letters On Mesmerism. Elements Of Phreno Mnemotechny. Lectures On Clairmativeness. Mesmerism In Disease. Confessions Of A Magnetizer Exposed. Seven Lectures On Somnambulism. Dictionnaire Des Sciences Occultes. Phrenology Examined. Universalism Against Itself. Mesmerism Examined And Repudiated.

Somnologie Magnetique. Mesmerism In Articulo Mortis. Early Magnetism. Practice Of The Water-cure. Life Of Reverend William Tennent. Examen Du Magnetisme. Universalism As An Idea. Mesmer And Swedenborg. Davis Revelations Revealed. The Principles Of Nature. Initiation Aux Mysteres Du Magnetisme. Mesmeric Hospital Records. Self-culture And Perfection Of Character.

Revelations Of An Invisible World. Philosophy Of Charming. Philosophy Of Magic. Philosophy Of The Inductive Sciences. Les Confessions Dun Magnetiseur. The Seventh Vial. Agnes Or The Possessed. Facts In Clairvoyance. Moral And Intellectual Science. Night Side Of Nature.

Amanda Lear filmography

Secret Habits Of Female Sex. Cure Of A True Cancer. Marriage Its History And Ceremonies. Hydropathy And Homeopathy Impartially Appreciated. Physiology Of Mesmerism. Guide Through Mount Auburn. Lectures On Mesmerism. Religionsphilosophie Des Sohar. Sanctuaire De Memphis Ou Hermes. Electrical Biology.

How To Create a Natal Chart FREE - Astrology For Beginners! VNS Mystery School

New System Of Physiognomy. Facts In Magnetism Mesmerism Somnambulism. Zoistic Magnetism. Elements Of Electrobiology. Opusculum Spiritualismum. A Catechism Of Mesmerism. Principle Of Health Transferable. Observations On Trance. American Eclecticism. Handbook Of Mesmerism. Philosophy Of Spirits. Sanctuaire Du Spiritualisme. Celestial Telegraph. Echoes Of The Universe. Millerism Confounded. Light And Darkness.

Night-side Of Nature. The Knockings Exposed. Sciences Occultes Repertoire. Philosophy Of Modern Miracles. Mesmerism Its Practice And Phenomena. Sleep Psychologically Considered. Le Tombeau Des Sorciers. Revelations Of Egyptian Mysteries. Moralism And Christianity. Keightley Fairy Mythology. Extraordinary Popular Delusions Lindsay.

Introduction To The Water-cure. Spirit Rappings Exposed. Physico Physiological Researches. Observations On The Theological Mystery. Mesmeric Mania Of Electro-biological Phenomena. Eclecticism And Exclusivism. Knocks For The Knockings. Pittsburgh And Allegheny Spirit Rappings. Curative Powers Of Mesmerism. Signs Of The Times. Electrical Psychology. Philosophy Of Spiritual Intercourse.

Mysteres Du Magnetisme. Rochester Knockings. Mesmerism In India. Letters To A Candid Inquirer. Somnolism Amd Psycheism. Hydropathic Statistics. Comparative Psychology And Universal Analogy. The Human Trinity. Popular Superstitions And Mesmerism. Premillenialism A Delusion. Lectures On Spiritualism. Ansaryi And The Assassins. The Veil Uplifted. The Knights Templars. Elements Of Spiritual Philosophy. Voltaire In The Spirit World. Philosophie Du Christianisme. Spiritual Instructions. History Of The World. Spirit Manifestations. Spirit Rappings A Fraud.

Phenomena Of Spirit Manifestations. Magic Witchcraft Animal Magnetism Hypnotism. Homeopathy And The Homeopaths. Bible Expose Of Spirit Rappings. Approaching Crisis. Spiritualistes Damerique. Philosophy Of Electrical Psychology. Philosophy Of Electro-biology. The Haunted Church. Mysteries Glimpses Of The Supernatural. The Introduction Of Mesmerism. Natural And Mesmeric Clairvoyance. Macrocosm And Microcosm V1. Pilgrimage Of Thomas Paine. Light From The Spirit World. Analytic Researches In Spirit Magnetism. Casparis Homeopathic Domestic Physician. Dream Land And Ghost Land.

Wonders And Mysteries Of Mesmerism. Plain Thoughts On Secret Societies. The Zend-avesta And Solar Religions. Passional Hygiene And Natural Medicine. Lecture On Atmopathy And Hydropathy. Incidents Of Personal Experience. Voices From The Spirit World. A Sign And A Warning. Philosophy Of Mysterious Agents. Mesmeric Guide For Family Use. Philosophy Of Electro Biology. Narratives Of Sorcery And Magic. Table-turning And Table-talking Considered. Review Of Beechers Report.

Answers To Seventeen Objections. Ritual Of Freemasonry. Birth Of The Universe. Satanic Agency And Table-turning. Apocalypse Explained By Swedenborg. Proceedings Of The Eclectic Physicians. Table Moving Causes And Phenomena. The Sophistry Of Empiricism. Table Turning And Table Talking. Review Of Spiritual Manifestations. Spirit Rapping A Fraud. Circular Sur Lettre Pastorale. Lettre Pastorale Tables Tournantes.

Spiritual Manifestations.

Viagra 100 Mg Dose - Viagra Oral Jelly In Australia

Memoirs Of William Miller. Hypnotic Therapeutics. Ancient And Modern Spiritualism. Introductory Lecture. Spiritual Telegraphic Opposition Line. The Testers Tested. Table-turning Not Diabolical. Tests Of Inspiration. A Book For Skeptics. Reports From The Celestial Court. Table-turning The Devils Modern Master-piece. Biography Of Semantha Mettler. Elements Of Intellectual Philosophy. Phrenology Psychology Pneumatology.

Somnambulen Tische. Table-moving And Table-talking. Spiritualists Plea. Evangel Of The Spheres. Spirit Rapping Unveiled. The Ministry Of Angels Realized. Esoteric Anthropology. Spirit Rappings. Spiritual Library Catalog. Charles Hopewell. Nouvelle Magie Blanche Devoilee. Mesmerism Spiritualist Witchcraft And Miracle. What Are Spirit Rappings. Automatic Powers Of The Brain. Mysteres Magie Secrets Magnetisme. Supernaturalism Exploded. Messages From The Superior State.

Facts And Fantasies. Autobiography Of Elizabeth Squirrell. Book Of Psychology. Book Of Human Nature.

NEAPOLITAN GRIMACE INTERPRETATION OF DREAMS AND NUMBERS TO PLAY

The Hydropathic Encyclopedia. Spiritual Vampirism. Spirit-rappings Examined. Rappo-mania Overthrown. The Rappers. True Constitution Of Government. Minutes Of Infidel Convention. New England Spiritualist Association. Practical Investigation Clairvoyance. The Phrenologists Daughter. The Table And The Turner.

Philosophical History Of Free-masonry.

Philosophy Of The Water-cure. Mesmer Et Magnetisme Animal. Medical Sectarianism. Outlines Of Lectures. Encyclopedie Magnetique Spiritualiste T1. Baguette Divinatoire. The Infidelity Of The Times. Dods Theory Of Spiritual Manifestations. Epitome Of Spirit Intercourse. Tables Tournantes. Moeurs Et Pratiques Des Demons. Spirit Manifestations Examined And Explained. Manuel De Lutudiant Magnetiseur. History Of Magic.

Alchimie Et Les Alchimistes. Table Talking And The Parsons. Manuel Elementaire De Laspirant Magnetiseur. Apocatastasis Or Progress Backwards. Experiences In The Water-cure. Trial Of The Spirits. Lecture Mysterious Knockings Mesmerism. Corps Aromal Andro Magnetisme. Comment Lesprit Vient Aux Tables. Constitution And By-laws. Answer To Charges Of Belief. Future Of The Human Race. Fiends Ghosts And Sprites. Spiritualism In The West.

Mysteries Of Astrology. Trance Of Marietta Davis. Nouvel Almanach Du Magnetiseur. Magnetisme Et Magnetotherapie. Mesmerism Proved True. Merveilles Du Magnetisme Tables Tournantes. Truth Of Clairvoyance. The Plurality Of Worlds. Voices From Spirit Land. Philosophy Of Creation. Thomsonian Medical Instructor.

Astrology As It Is. Magia Blanca Descubierta Arte Divinatoria. The Lady Of The West. Telegraphs Answer To Mahan. Cause Of The Present War. New Church Miscellanies. Modern Spiritualism. Progressive Life Of Spirits. Progress Of Religious Ideas. Present Age And Inner Life. Question Des Esprits. Womens Rights And Spiritualism.

Theology Of Table-turning. Lecture On Spiritualism. Letter To The Episcopal Clergy. Experimental Investigation. Phenomena Of Modern Spiritualism. Hydropathy For The People. Freemasonic Works List. Spiritual Reasoner. Healing Of The Nations. Conversations Et Poesies Extranaturelles. Spiritualism Defined. Religions Of The World. Address On Spiritual Manifestations. A Manual Of Phonography. Spiritualism Defended. Occult Sciences. Modern Spiritualism Compared With Christianity. Scenes In The Spirit World. Clairvoyant Family Physician. Essay On Spiritualism. Patriarchal Order Of True Brotherhood.

Discourses From The Spirit World. Hand-book Of Magic. First Degree Patriarchal Order. Abaddon And Mahanaim. Psychological Inquiries. Charity Rest And Freedom. Encyclopedie Magnetique Spiritualiste T2. Electro-chemical Bath. Bouquet Of Spiritual Flowers. Address To Christian Churches. A Voice From Prison. Spirit-rapping And Table-turning. The True Masonic Chart. Spiritualism Versus Christianity. Monde Occulte Mysteres Du Magnetisme. Poems For Reformers. Animal Magnetism And Somnambulism.

Farewell To Earth Ryde. Traite Complet De Magnetisme Animal. Uncertainty Of Spiritual Intercourse. Two Eventful Nights. Three-fold Test Of Modern Spiritualism. Child And The Man. Glances And Glimpses. Keelys Facts And Scientific Miracles. Seeress Of Prevorst. Spiritualism A Satanic Delusion. Dealings With The Dead. Spiritualism Explained.

Solar System Of Ancients Rediscovered. Magisme Grande Initiation. Developments Of Spirit-rapping In England. Zillah The Child Medium. Manifestations Des Esprits. Phrenology Made Practical. Fulfilled Prophecies. Important Revelations From The Spirits. A Philosophical History. Life-line Of The Lone One.

Sade sati vedic astrology

Light In The Valley. Mysticism And Its Results. Spiritualist Exposition Of Psychology. Discourse On Spiritualism. A Discourse Spiritualism Annihilated. Social Destiny Of Man. A Treatise On Turning Tables. Last Grinnell Arctic Exploring Expedition. Autobiography Of A Phrenologist. Mysteries Of Human Nature. From these feminine bodies the Paleolithic sculptors removed facial expression - therefore the speech -, feet - the autonomous movement - hands - the independent ability to relate. The woman should then stop and receive, like earth from the sewer.

Che la piasa, che la tasa e che la staga in casa Be she pleasant, be she silent, and stay she at home still says a saying from the Veneto. The Sailing Ship of the Black Curse and the Gibbet of the Death Sentence are only on the south quadrants of the map because they concern the feminine as earth. Males can penetrate it and reap its fruits, without knowing its mysterious deepness. The mythic image of women since the Old Stone Age veils and unveils the unknown, and it's right and duty of men to stop and to fear this odd mystery.

Therefore, women hold the threatening unknown, darkness and death. So the menstrual blood can be a taboo, and many women are still veiled and segregated. If women hold the extreme evil, they could consequently act it with dreadful effects. This mythic truth is still told by some ecology movements; Mother Earth will sentence humankind to death , because men outraged and poisoned her with their overbearing civilization. If this story were one of our fairy tales, we would place it in the southeast quadrant, and it should belongs to the injunction of the Sailing Ship of the Black Curse o to the Gibbet of the Death Sentence , together with the story of Avatar James Cameron, US Let us now mention something about the ending of this film that has told its story all over the world.

The Earth, which is our only realm, is dying, and on Pandora just two male human beings survive. The chain of human generations stops forever in this almost unhappy dystopian ending. The archaic feminine of the vindictive Mother Earth is still in force, but it does not belong to the female actants more than to the male ones. In fact, the fairy-tale curse and the warrant coming from the parental female actant hit both sons and daughters. The actants undergo these injunctions to free themselves from the power of this archaic mother and reach the field of speech. This difficult movement is a precondition to grow up.

We then think of the Sailing Ship of the Black Curse and the Gibbet of the Death Sentence , as to paradoxical expressions, telling by hints something whose features are inexpressible. It has no words or expressions, like the Paleolithic Venus figurines, and the stories telling the drama of a subject who is imprisoned in this field are easily misunderstood. We should remember that they stage by words something escaping from the speech, like a psychosomatic illness. These female and male young actants - these sons and daughters - cannot really grow, since a part of them is still in her dumb womb.

The stories beginning with the Sailing Ship of the Black Curse tell something about this condition. The queen of Pig King becomes pregnant thanks to three fairies, which make her beautiful and inviolable, but they decide that this perfect queen will give birth to a pig baby. Life can flow even through her magic pregnancy and her acceptance of her animal baby. The Pig King turns into a handsome human youth thank to a wife who tenderly loves him as a pig too. Nevertheless, he forbids her to tell his parents that he is a man by night.

His metamorphosis becomes irreversible after the birth of a human baby, when finally his royal parents learn of the human nature of their son. So, life flows again in the realm, now free from the strictness of the ideal. In Sleeping Beauty in the Wood , the curse comes from an old fairy, who takes her revenge because the father king had forgot her.

Sade Sati: Shani Sade Sati Calculator For You

She has the same power of Athropos, the Greek Moira who cut the thread of the human life; nevertheless in the fairy tale it is always possible to mitigate such a sentence. The newborn princess will not die, but sleep for a century, together with all the dwellers of the castle. In the Greek mythology a human being betraying an oath was condemned to death. And if a god or a goddess did the same, they had to spend a long time sleeping like Beauty in the wood.

Zeus appointed for Styx, goddess of the underground freezing river, the great oath of the gods. We remember this ancient myth because it brings us back to our fairy tales, since Styx means shudder , the unheimliche feeling that Dauntless Little John ignored, while another Little John missed and looked for it Little John and the Shudder.

Another fairy tale in this section is a gorgeous Sicilian story, Misfortune. The curse of the female main actant depends on the nature of her Fate, a popular sister of the mythic Moirai or Norns, Latin Parcae. Her mother queen asks her daughter Misfortune to set off, in order to take her curse away from their house. European fairy tales have many precedents in the ancient literature, and they probably have had a long oral transmission, but their certain birth occurred in the 16 th century, when Giovan Francesco Straparola published some fairy tales among the novellas of his collection, The Facetious Nights.

The modernity of fairy tales entails actants that represent modern subjects, individually acting, able to become free from parental authorities, to fac e their injunctions and follow the law of their desire to get their own aims. This Sicilian fairy tale gives us one of the best images of this chance, when Sfurtuna meets Gna Francisca gna means signora , madam , who is the washerwoman of the king.

The king is very pleased and gives more money to his washerwoman, who buys garments and rouges for Sfurtuna and her Fate, and ingredients to prepare some cakes. Then she sends Fortuna to offer these cakes to her Fate, who first refuses them , being an unpleasant ugly ragamuffin. Sfurtuna gives her some cakes and as soon as she can approach her, then grabs her, washes, combs her and dresses her with new clothes. If we had no word or story to tie something imprisoned in a no - name place, we could never hope to take care of this kind of diseases.

We have nothing but words , stories, and the psychoanalytic theories - Wittgenstein defined psychoanalysis a powerful mythology. Nevertheless, something favourable happens, if we remember that our instruments, words and stories, are false or fabulous hooks and baits, by which we can fish some true fish I paraphrase here Freud [ Constructions in Analysis SE 23, p.

Then it has not a stuff more real than dreams and stories, where fairies and fates dwell. Nobody could organize a journey to go there, but we can imagine that journey, and in our mind we can, so to say, nourish, clean and dress again our fate. This would not be a real journey, but there is no movement without hope, and the thought and emotions move themselves by fantasy and imagination.

This movement can move a new desire an open a walled up door, and the invisible journey has visible effects. The injunction of the Gibbet of the Death Sentence means a hard conflict depending on the ambivalence that belongs to every important relation. Without this hand-to-hand hug, life cannot flow, but life cannot go on if mother and daughter do not untie themselves.

To be born, to live, to die: three immortal sisters managed the thread of human life in ancient Greek mythology; the first drew the thread of life, the second spun it, and the third cut it. Their Greek name is Moirai, Latins called them Parcae. Our fate is not in the hands of Zeus or in the hands of our parents. While we are running away, we can meet a helper fairy, or an old woman, or a house with seven little beds. Beyond the family world, that is the matrix of our life, there is a world where we enter taking a risk, to find a shelter, to receive a magic hazelnut.

Life is greater than the laces that tie and imprison us to our story; the knots may be untied, even if they are tight and tangled. If Snow White made it, we too can hope to overcome our hindrances. In the injunction Castle of the Forced Love the bond between father and daughter is so strong that there is a threatening or disgusting husband. In the tales of the Fortress of Solitude the parental actants may be lacking, not even mentioned — The Raven and The White Ricotta —, there is just a paternal actant who fruitlessly proposes to get married to his only daughter — Sweet Diamond Pie -, or his only son.

So begins also the fairy tale The Three Citrons , written by Basile in , who became a comedy by Carlo Gozzi in , an opera by Sergej Prokofiev in He knew from Persian Literature the story of the beautiful princess who cuts off the head of her suitors who try her test and fail.

Turandot is the last work of Giacomo Puccini, who died in before completing his Turandot, and the opera's first performance was held in Fairy tales give birth to other fairy tales, nourishing imagination and dreams. In the tale of Sweet Diamond Pie , the daughter of a merchant decides to make a husband to her taste and asks her father to bring her half a hundredweight of Palermo sugar, four or six bottles of scented water, spices and gems.

She makes her creature, loves her ideal man and asks gods to give him life, remembering what happened to the Greek sculptor Pygmalion with his statue of Galatea. With the approval of her astonished father, she marries her Sweet Diamond Pie, but a queen steals him and she has to set off to find him again. The Raven , like The White Ricotta that is one of its popular versions, is a cruel and bloody fascinating fairy tale.

The main male actant is a king that reigns without any limit to his passion for haunting, so that he neglects his affairs of state. Refusing to marry, he stops the alternation of generations, but then he falls in love with an ideal wife, imagined by him when he sees three colours togethre: the red blood of a dead raven, the black of its feathers and the white of a marble stone. There is a odd reference to death in the white marble, as well as in the red and black of the raven. The younger brother of the king sets off to find this ideal bride, but this search causes his own death. The main desire of the king is a girl whose colours refer to death.

The only bride he wants has something dead in herself, so that the king longs for both life and death, for the flow of generations and their stop. In fact, the wife has a necromancer father in The Raven , while her parents in The White Ricotta are a two terrible dragons. The younger brother finds this wife, but he sacrifices his own life to protect the king. The king who looks both for life and its refusal causes death for his brother and others.

The Grimm Brothers knew well T he Tale of Tales by Basile , and the colours of the female main actant of this tale could have given them the colours of Snow White , who has to lie as a dead. The queen would a baby as white as snow, as black as the black ebony wood of her window and as red as her blood, which fell into the snow when she pricked her finger with a needle. As well as the main actants of The Raven , the mother queen of Snow White gives life to her daughter and then she tries to kill her.

There are interesting differences between The Raven and The White Ricotta , when the king knows that his younger brother has sacrificed his life to make him happy. In The Raven the king loves the statue of his brother more than his babies, and kills them causing a fatal pain to his wife. Her necromancer father then comes like a deus ex machina to turn that tragic conclusion into a happy ending. This cruel fairy tale presents a king who stopping the flow of generations in the fortress of his solitude, staring at an ideal image, which is then linked to death, while his younger brother lives only to satisfy him.

We see it in the Northwest Quadrant , since the fairy tales we chose have a main female actant, who has to live together with a monster in order to save her father's life. With the same injunction starts the type Donkey Skin , whose most famous version was written by Perrault. This story tells of a widower king who promised his dying wife not to marry any woman but beautiful like her.

The king sees that his daughter is the only woman right for him, and wants to marry her. But the princess runs away covered with an animal skin, which like a second skin hides her beauty. At the end, she will happily marry a foreign prince. This type is represented in Fabulando by Rot-Eyes. The actant of this tale is banished by her father because he does not accepts her answer, like King Lear.

Cordelia said that she loved her father Lear, but she knew that she will love also the man who will marry her, while her elder sisters had declared a total love for their father. It is interesting to understand how the tragedy and the fairy tale, having the same beginning, have so different endings. In the type of Beauty and the Beast , which is the most popular tale of its type, the main female actant is ready to give her life to save her father.

The filial actant is ready to die for the parental actant, inverting the natural flow of life. Then the main female actant stops her life, and the tale goes on with the meeting with the monster. The Beast replaces her idealized father and treats Beauty like a queen, melancholically accepting that she cannot love and marry him. The main actant of this fairy tale is Beauty, since her father acts the injunction, while the Beast lives alone in his castle because of a duress that had happened before the beginning of the tale.

In the fairy tale Frog, Frog we see a beautiful princess who finally reveals to the incredulous prince Nicolino that she was just the frog that he thought to marry,. Yes, here I am, you have to know that I was under a spell, and I ought to be a frog as long as I could find a boy who would marry me without knowing my beauty. In Fabulando collection there is a fourth type, an animal - here a frog - helps the main female actant and asks her to eat from her little plate and sleep on her pillow : The Frog Prince. Here the king father orders his daughter to keep her promise, when the princess does not open the door to the poor little animal.

About this princess we only know that she loves to play with her golden ball, and that she will not having a frog near her. Her father king then forces her to fulfil her promise, leaving the frog coming on her pillow. Just when she kisses the slimy frog, in spite of his animal shape, she breaks the spell that condemned him to that animal shape. The prince finally tells that his curse came from a female character, then we note that he had to live into water, which traditionally is, together with earth, a female element.

In the injunction of the Castle of the Forced Love the paternal actant is a father who tries to tie his daughter forever to himself, or a father who willy-nilly causes the union of his daughter with an odd or an invisible lover. Amor is invisible in the Latin tale Amor et Psyche by Apuleius, that could be the prototype of the this kind of fairy tales see also: Amor et Psyche, Fabella , website Adalinda Gasparini, Psicoanalisi e favole.

To idealize the loved one might look as a form of great love and devotion, which however implies the incestuous bond with the parent loved and mythicized in childhood. Only the gradual acceptance of the troubling extraneousness of the other, unravels the injunction of the Castle of the Forced Love. Children do not choose parents, it is a kind of forced love that is necessary to grow up; girls and boys normally love and idealize them in childhood, while maturity requires that children work the loss of this ideal.

The incest taboo marks a boundary between parents and descendants, so that we can understand that time flows irreversibly, to make possible the separation between generations and their alternation, with the fertility that renews life. The female and male filial actants need to gain experience of their mutual desire, risking loosing each other. The Beast is afraid that Beauty will not come back to him, but he lets her go, while Beauty is afraid that the Beast died for her fault, and to save him accepts to marry him in spite of his ugliness.

In the northwest quadrant the moon of the main female actant lights the Paternal Mountains, and here we find very close daughters and fathers, be they king, merchants or villains, and fairy tales that flow from this relation. In the 16 th century collection by Straparola we find Doralice , the prototype of Donkey Skin , the female main actant of which has to run away from her incestuous father. In the 17 th century collection Tale of Tales by Giambattista Basile we find two fairy tales of this type, The She-Bear and Penta the Handless The incestuous king of this last story would marry his sister.

In Perrault 's tale and in many following popular Italian version the main female actant imposes on her father to provide her with wonderful dresses that give her the brightness of the sun and the grace and beauty of the sea. Her father always gives her what she asked, making her nearly a goddess of nature. Not to marry her father, the daughter must then run away, covered with the skin of an animal. The animal in Perrault 's version is a donkey, in the English tradition it is a cat, in other version we can find a wood-dress, or the skin of a dead woman, who died hundred years old.

Together with the wonderful gowns, which the daughter secretly keeps, the repulsive skin veils and unveils the incestuous love. This clearly incestuous fairy tale shows the character of the northwest quadrant, a father who imposes himself on his daughter, and a daughter who cannot do her life because she is bound to her father. The first love of every girl is her father, and if she does not stop keeping him as her ideal lover, she will not be able to love a human being, who can never correspond to an ideal image.

There are then fairy tales characterized by a metaphorical incest, like Rot-Eyes and Beauty and the Beast. In this stories a father loves his daughter so much that he risks his life to pick a rose for her; the daughter loves him so much that she is ready to offer her life to save her father. The love ideal is so strong that the transformation and the happy ending come just after a long closeness with the opposite of the ideal, the Beast. This incest gives the riddle par excellence, and since the solver marquis is not able to solve it, the main female actant gets freedom for her father.

In The Lost Doll the main female actant is the beloved daughter of a king who suddenly dies. She loses her father and the doll that she always kept near herself, and her happy ending cannot come if she does not find out her doll. This doll means here the ideal image of the princess, a part of her identity that she needs to grow up. A prince has found the lost doll, and fell in love with this ideal image; the princess find her lost doll with him, and they get happily married. In the tale of Sweet Diamond Pie the main female actant loves so much her ideal partner that she does not leave her father's house.

Then she gets from her merchant father the ingredients to make a man of her taste. In the tale of Violet the main actant demands to be an ideal for her prince, and escaping all his attacks she arouses his desire. She leads a courteous cunning game that however would not be enough to get a happy ending.

Viagra Mg Dose - Viagra Oral Jelly In Australia

As well as in every fairy tale of this quadrant, the ideal needs to confront itself with its opposite, that here is an ogre. This clumsy ingenuous creature adopts the cunning beautiful Violet, and this combination of opposites is the ingredient that every fairy tale in this quadrant needs to reach an happy ending. Finding a fairy tale on the web is very easy. We open a search engine website, then we write the title, Cinderella for example, and we get a list of a hundred or a thousand links. We never explore them all; we stop at the first three or four web-pages.

There we find indications for some sites containing a famous version of the tale, usually simplified, often complete with illustrations or glittering movies. Then we find links for films, movies and live action, and for theater performances. We can find out — if we do not already know it - that Rossini composed an opera, La Cenerentola , up to now represented in many opera seasons. But we probably do not know anything about Cat Cinderella , the first amazing version of this tale, published in Naples in the 17 th century. It is ulikely to find these at the top of a web search , unless we look for them specifically.

This would require prior knowledge of the existence of this heritage. Nevertheless, these tales are freely available on the web, but it is nearly impossible to find them if we are not already expert on this subject. Well, one of the main principles guiding our project to build Fabulando , as well as our choice of different narrative means, is to provide easy access to numberless fairy tales available online in many versions. There are count less collections of ancient and classical tales, written in local dialects or in national languages, which remain unknown.

There is another principle guiding our work. We love the beautiful old books of fairy tales, we enjoy their charm, page after page, image after image, surprise after surprise, and we believe that it is possible to get this pleasure also by digital means, like our Fabulando e-books. Fabulando tells all the Sixty-seven tales of its collection - in an e-book, a digital book that however has the colours and the rustling of a paper book, and the finest illustrations of the great artists of the 19 th and early 20 th centuries.

We told almost every fairy tale in two e-books, including the tale in the original language and the facing translation in the languages we chose, Italian, that is our mother tongue, and English, which is now the international language. We drew the original language versions from the major collections available online; the Italian dialectal fairy tales come from 19 th and early 20 th century collections, the ancient fairy tales come from 14 th , 16 th and 17 th century Italian collections, the European tales come from the collections written by Charles Perrault , the Grimm Brothers , and others.

The e-books of these four sections bear the following titles on their covers: 1. People of Wonders. Italian Dialectal Fairy Tales 2. Europa in fabula. Migrant Stories. Tales without Borders The e-books have an end page with the sources of original language and translated versions, of illustrations and headletters and of the ancient geographic maps; there is then a link on this page to get the general Bibliography of Fabulando , with the links to fairy tale collections available online. E-kamishibai is the word we use in Fabulando drawing on the word e-book.

It spread throughout Japan in the period between the World Wars, when the kamishibaya , who were storytellers, went along the streets of the towns by a bicycle, equipped with a little wood theatre. The kamishibaya told his tales scrolling through this little theatre a set of illustrations. Everybody could stop and listen to the tale, but the kamishibaya reserved the first rows of seats to children who bought the kamishibaya's candies before the show.

B rightly coloured illustrations slid in the little theatre and greatly impressed the public. It was a real picture storytelling, animated by the kamishibaya's voice and gestures. In Fabulando many illustrations come from the work of Walter Crane who retold through images many popular fairy tales. We imitated the Japanese kamishibai and adapted it to the digital media, reworking these illustrations to get a wider set of images.

We retold Puss in Boots and The Frog Prince also through movies that we realized reworking illustrations of Walter Crane that enchanted us with their beauty, their expressive power and their intelligence. We inserted some captions to make the tales understandable, following the finesse, the humour and the rhythm that are typical of folk tales, then we wrote our captions in rhymes.

We made their font inspired by the captions of a very famous silent movie, The Thief of Bagdad US, We would like to say something else about Puss in Boots. We inserted this tale, well known throughout the world, among our European fairy tales, but we chose to rework the first version of Puss in Boots published in the world La Gatta , available on the website Adalinda Gasparini, Psicoanalisi e favole.

It belongs to the 16 th century collection The Facetious Nights by Giovan Francesco Straparola, and it tells of a madam cat. Nevertheless, we chose to realize our movie starting from the first charming version , which is less known. The version of Cinderella told by the Authors has a special place in Fabulando. Besides an e-book and an e-kamishibai, the map of this fairy tale gives access to an iPad app that we realized disassembling and re-assembling the illustrations by Arthur Rackham and retelling the story from the versions by Giambattista Basile , by Charles Perrault , by Walt Disney and by the folk Florentine version La Cenerentola Imbriani , Our app is entirely devoted to Cinderella, and every page consists of a written text, a little movie and a narrating voice.

There is also an original soundtrack. About our Greek and Latin translations: we wanted to pay tribute to our classical culture, that upheld across the millennia its generative flow in thought and narrative, up to contemporary storytelling. To download this app go to the Map of the Tale ; other news about it are also available. There are two little e-books in Fabulando where the Frog himself The Frog Prince and the Cat herself Puss in Boots tell the key points of the story of their tales. Every fairy tale has an interesting history that could highlight its links with other tales and other cultural forms, like literature and cinema.

We chose the stories of these two tales for their great storytellers the Grimm Brothers and Charles Perrault respectively and for the charm of the histories of these stories. The history of Puss in Boots arouses curiosity because of its gender changes. In nearly one and a half century, a she-cat, inherited by the main actant from his mother, becomes a she-cat inherited from the father, and then a he-cat that the protagonist inherits from his father. In the e-book we try to understand why the last version prevailed, becoming the tale that everybody knows. On the other side, The Frog Prince , in the version by the Grimm Brothers , shows its deep bonds with medieval literature.

The main female actant, Cianna, wishes to find her seven brothers who left their home when she was born, due to an oversight of their mother's midwife. The sister finally finds her brothers that are in service of a misogynous ogre. The happiness of their encounter does not last for a long time, because the seven brothers turn into seven little pigeons, due to a mistake of Cianna.

She then decides to find the way to make her brothers human again. To do this she must find the house where Time lives, because he knows the secret of this metamorphosis. Along her hard long journey, Cianna listens to creatures asking for her help and giving her precious instructions to get the house of Time. Then she reaches her goal: she makes her brothers human again and grants the wishes of the creatures that she met along her way. The same creatures help her and her brothers again to overcome some hurdles on their way back. This tale may be one of the most beautiful fairy tales written by Basile , both for its complex and coherent plot and for the fairy tale's ethics that it clearly displays: the main actant frees herself by freeing others, every other creature she meets along the way.

Il Gran Basile presents in this fairy tale a long interesting list of predators and little birds, told by the seven brothers of Cianna to reproach her after their metamorphosis. This fairy tale has a female main actant and starts with an implicit maternal injunction, so we find it in the South West quadrant.

Its injunction is the Labyrinth of the Impossible Commitment , since Cianna chooses by herself to make amends for the involuntary mess due to her and her mother's oversights. Jesus and his Apostles arrive to the house of Smithy Menico , travelling incognito. Jesus sends St. Peter to beg for something and the poor smith gives him one coin. Then He sends St. Paul, and the smith gives him another coin.

The third time Jesus himself goes an ask alms, and Smithy Menico gives him his third and last coin. Whith his three coins he could buy some bread, a cigar and the oil for his lamp, and he has nothing more, so he can neither light his room, nor smoke a cigar, nor something to dine. But Jesus sends again Saint Peter to the smith to grant three desires of his.

Smithy Menico does not ask wealth, palaces or youth; he asks that his violin, his stool, and his fig tree get magic powers. Some time passes, and Death and Devil come one after another to take him, but Smithy Menico blocks them by his magic gifts and by his slyness. This main actant fulfils the impossible human aim par excellence, since Death or Devil cannot take him.

After a very long life, the smith decides to go and see the Hereafter, but St. Peter bans him from entering heaven, saying that Smithy Menico wasted the Lord's gift, because he did not ask for the eternal salvation for his soul. Then the Angels of purgatory to reject him, and Smithy Menico knock on the hell's doors. The devil who met him on the earth then advises all the devils to keep out Smithy Menico, because he is much more evil than themselves.

Smithy Menico goes now back to the heaven's doors, and taking advantage of a distraction of St. Peter, he throws his jacket inside, and sits on it. In other fairy tales it is told of actants who do not fear anything, nor death. The actant of one of these tales is Dauntless Little John , who is not afraid because he simply does not know death: for this reason, he dies as soon as he sees his own shadow. The actant of another tale, Little John and the Shudder , does not know death, but he feels that he misses something, and goes around the world looking for shudder.

He happens to marry a princess, but the happy ending only comes when he finally feels goose bumps. Smithy Menico knows very well death, and he is so scared, that he chooses his three magic gifts to become able to win it. Smithy Menico is a laic parable as well as a fairy tale; telling that overcoming death and fear is an impossible commitment. But it tells also that one can try to get it, and if he succeeds, he is free from any masters, here and in the hereafter.

He is neither alive nor dead, neither forgiven nor guilty. He represents the eternal human desire to cross his boundaries. Peter represents during the whole tale the antagonist paternal character, disapproving the choices of our cunning fellow Smithy Menico. The injunction of this tale is the Labyrint of the Impossible Commitment.

The sapper cockroach changes the royal alcove into a sickening place, and the second night the defence of the bridegroom, who barricades his orifice with a trench of bands, clothes and underpants, is useless. If the cockroach cannot enter like the first night, the mouse steps up, and gnawing at the trench he opens a breach for him, so that the insect,. The bride being tainted with such odour awoke, and sighting the orange deluge which had coloured the white Holland sheets to Venetian tabby, holding her nose, flew to the chamber of her handmaidens.

The wretched bridegroom, calling the valets, loudly and at length lamented his misfortune, that through a lax foundation the greatness of his house would be closed ibid. To prepare himself for the third night, the bridegroom blocks his orifice with a custom made wood plug, resolving to stay up not to lose control. Now the cricket takes action, send ing the German groom to sleep with his sweet singing , but the mouse, find ing a barrage that he cannot open with his teeth, cannot make way for the cockroach.

Then the mouse goes to the larder and dips his tail into a jar of mustard, and then he rubs his tail several times under the nose of the bridegroom,. And she screamed and screeched, and at her screams the king ran in, and enquired of her what ailed her. She told him that a petard had been shot at her breast.

And the king marvelled with excessive marvel at such a folly, and wondered how a petard on her chest she could speak; and lifting the bed-clothes, he found the bran mine, and the petard's stopper which had hit the bride, and made a good mark in her breast; although I know not which caused her more disgust, the stink of the powder, or the blow from the ball ibid. Then the king chases away the German nobleman. The king gets upset thinking that that disaster came from his unfair death sentence, and misses the innocent Nardiello.

T he three little magic animals promptly come to cheer him up, telling him that the legitimate pretender is alive and that they are ready to go and get him. Then they turn him into a handsome youth, worthy husband of the princess, and all live happily ever after. Let us think that he deserved it, because he acknowledged the failure of his upbringing.

Otherwise Nardiello would not have set off and found his own way, getting something that his father could not even dream. Basile devotes more than one third of this tale to the scatological war operation of the three little animals, who act for the sake of Nardiello, who loves them and takes care of them. Th ey return his love leading him to conquer the princess and defeat all his opponents. Art wins over common sense, personified by the merchant father, and the German nobleman, who makes use of doctors and counsellors, also military ones — a young bombardier suggests the wood plug -, and the power personified by the king.

It happens in this fairy tale, and goes on happening every time we read and enjoy it. Italy has, with Lo cunto de li cunti or Pentamerone by Basile, the most ancient, rich and artistic book of fairy tales, by mutual consent of the foreign critics who know this subject. Croce, in: Basile , ; our translation. V; our translation. Introducing his collection Italian Folktales , published in , Calvino had written:. Basile's work resembles the dream of a hideous Neapolitan Shakespeare, obsessed with the horrible, so that ogres and witches are never enough, with a taste for the tortuous grotesque image, where the sublime mingles with the coarse and the sordid.

Calvino , vol. By his analogy with Shakespeare, Calvino seizes the amazing linguistic skill of Basile, which reaches one of its peaks in th is fairy tale's operation of the three little artist animals. He moves to perfection his juggler tools, mingling scatological, sexual, military languages, and then he ends his amazing performance with some lines of Francesco Petrarca. The amazing writer provokes laughter and admiration, bringing on the stage the infinite resources of the language. Tale of Tales is a Neapolitan work, and its language is today nearly incomprehensible even in Neaples, but its influence on the Italian and European fairy-tale imagination testifies to its universal value.

As for the adjective hideous , we agree with Italo Calvino on condition that we think as hideous the human being too. From Basile's baroque point of view life usually mingles together the sublime and the coarse. Moreover, we can feel Basile close to us thanks to his irreducible complexity, which reflects our weakened identity, because no salvific ideology looks now able to ensure us.

We can feel ourselves exiled and delegitimized like Nardiello, when we undergo the narcissistic injury coming from the disillusion about our possibility to master ourselves. The ego is not master in its own house , as Freud said. But sometimes it happens that in our exile - namely away from the house of our origin - we can fall in love with a doll, like the main actant of Pooavola Doll , or with three little animals artist.

We can face the risk of following our own desire, which seldom agrees with common sense, and is unavoidably divergent from our social and parental injunctions. The dreamer writer Giambattista Basile did not get a throne like Nardiello, nor did his art make his life easy. However, he endowed his creature, The Tale of Tales , with the magic of art, and it has been travelling through time and space, beyond borders that he could not even dream.

To acknowledge the magic of art means understanding that art is the offspring of human culture, and the only kind of immortality to which a human being can aspire. See also: Lake of Generation. In art alone, it still happens that a man, consumed by his wishes, produces something similar to the gratification of these wishes, and this playing, thanks to artistic illusion, calls forth effects as if it were something real. We rightly speak of the magic of art and compare the artist with a magician.

But this comparison is perhaps more important than it claims to be. Freud , , p. Thanks to this magic, the tales by Basile, and Nardiello, the princess, the king and the merchant, live happily forever after, together with the guitar-playing cockroach, the dancing mouse and the singing cricket. What makes this tale so peculiar, is that the story of the maiden dressed up as a man, travelling around the world, is framed by another story, the tale of the parrot who acts to keep the main actant - a queen - faithful to her king.

Here we have a tale within another tale, which comes to the oral Italian dialectal storytellers from a faraway oriental origin other versions of this fairy tale were collected in Sicily, Tuscany, Sardinia and Calabria. How could the Piedmontese folk storyteller in the 19 th century know a fairy tale told in an unknown language?

We do not know other subsequent variants of this parrot's story, the charm of which is intriguing. What is more interesting for us is that it gives evidence to one of the main magic virtues of the fairy-tale genre: to cross any boundary of time, space, language, and culture.

They live and flourish thanks to the pen of cultivated writers as well as to the speech of illiterate people, giving us a various and abiding pleasure. The parentage of our dialectal fairy tale with the Indian collection concerns only the frame story, since the tale told by the Piedmontese parrot has nothing to do with the Eastern ancient collection.

She happens to cure many cursed princes before finding the prince who is lovesick for her. Leaving aside the parrot's frame story, The Lost Doll is in the northwest quadrant of the Map of Succession, because the main actant is a girl and her journey starts after the loss of her father. Because the princess lack s any mean of survival, her fairy tale begins with the injunction of the Marsh of the Dereliction. This doll was made exactly like her, with her same features and height, so that she, having no mother or siblings, could have a playfellow.

In her dereliction, when nobody can take care of her and she cannot take care of anybody, the poor princess embarks for a long journey. She will finally find her doll and somebody to love: her doll is in the closet of a prince, who had fallen in love and was lovesick with her from the very moment he had seen her doll. Let us now notice something about this fairy tale, travelling together with the princess disguised as a man, who tests a feminine aptitude: to take care of others. Along her way, she treats ill princes cursed by underworld actants, mainly female ones.

Therefore, this story tells that the princess herself needs to gain experience of the deep link between life and death, to understand how to care the others before, finding her lost doll - her own self. As soon as she discovers it, she meets her prince, and their happy wedding means the par excellence happy and fruitful alliance.

We already said that the prince is already in love with her, since when he saw her image, her doll. She has no chance to meet him before achieving her journey, during which she tests herself in the powerful plot of illness and recovery, life and death. When the princess has experienced her power to care male illness, she finds herself.

A magic Tunafish is caught in the web of Madmatt, the main actant of this fairy tale. Its injunction is the Marsh of dereliction, since the activity of the male main actant depends on his poverty: he is not able to provide a living for himself and his mother. You can see their fairy tale in the northeast quadrant, because Madmatt has a male magic helper - the Tunafish - and a powerful antagonist, the king.

The Tunafish is a male helper - let us remember also the phallic symbolism of the fish -, and his aid comes from another world; through this encounter, Madmatt can fill the lack of his father, who has passed away. The confrontation with the king then represents Madmatt facing the human law, which he violated magically impregnating the little princess Juliet. This fairy tale starts with a prank that repeats itself every day, when Madmatt, coming home in the evening, screams at his mother to take all her containers out to the front of the house so that he can fill them up with his catch.

But he never catches anything. Then he makes funny faces, sticking out his incredibly long tongue, triggering the laughter of the little princess, who appears at the window of her castle, angering Madmatt. Then, one day, Madmatt, who is ugly, clumsy, and unable to fish anything, catches an enormous tuna, and he sets off towards home, happy to bring with him such a big fish. But the fish speaks, asking Madmatt to release him and arguing that eating him he will not be satisfied in the long run, but only once. Since Madmatt does not free him, the Tunafish promises also to give him a lot of fishes, and to make all his wishes come true.

Then Madmatt gives up his need of food and puts the Tunafish back in the water, and following his words he fills up his little boat with so much fish that it nearly sinks. But her love for him quickly wins her good sense, and the poor woman hurries up to prepare cans, pans, and dishes that Madmatt finally fills up.

Nevertheless, the little princess goes on laughing, and Madmatt does not simply rail against her as he used to do: he runs to the shore and calls the Tunafish, who appears in the blink of an eye, ready to fullfill his desire. Madmatt asks the fish to make the princess pregnant with his offspring, and this is said and done. When the father king learns that his little daughter is pregnant, he does not believe her innocence and sentences her to death.

However, the queen intercedes on behalf of their daughter, persuading the king to wait for the birth of the child. When the baby is born, he is so beautiful that the king decides to wait another year, hoping to find a way to find his unknown father. Then he invites all the men of the city for his grandson's birthday, hoping that the child will naturally recognize his father. But the baby does not go to anybody, until he tries to reach a door, behind which is Madmatt, who is feeling too ashamed to enter the hall.

When he is ordered to come in, the baby smiles at him and throws his arms around Madmatt's neck. The dismayed king orders to put her daughter, Madmatt and his grandson into a barrel, and throws them into the sea, where they are supposed to quickly die. This is a recurring motif, which reminds us of the Greek myth of Perseus, conceived by the princess Danae with the supernatural love of Zeus.

The King is dead, long live the King. The flow of the generations following each other includes ageing and death together with birth and growth. The ancestor, the king, tries to dodge this law of life, sentencing to death his descendant, but he inevitably fails. Let us notice that in all myths and fairy tales newborn babies who are abandoned like Perseus always find somebody who rescues them, so that they can grow up beautiful and strong.

Moreover, they leave their adoptive parents and return to their unknown parents. Let us now go back to our fairy tale, which was first written in Venice by Giovan Francesco Straparola , then retold by Giambattista Basile in his collection. While Madmatt eats and drinks as if nothing bad could happen, the princess gets upset and is busy calming down their baby, giving him some figs.

Madmatt answers that they are not in danger at all, because he has a magic helper who will make all his wishes come true. Then the princess asks him to share his magic helper with her, and when the Tunafish appears, the princess asks him to lead them to safety on an islet and to change Madmatt into a beautiful wise youth. Then she asks for a wonderful palace, surrounded by an amazing garden with a tree of golden apples. Leaving aside the tree of the forbidden fruit, which Adam and Eve were quick to taste, we remember in the Greek mythology the golden apples of the garden of the Hesperides.

Let us remember also another garden visited by Ulysses, belonging to Alcinous, the happy king of the Phaeacians: every tree of this wonderful garden would always give its fruits, in any season. Thinking of Arabic fairy tales, we remember the trees laden with precious stones of every colour that Alaaddin sees in the underground garden where he is looking for the magical lamp. See also, about this, Adalinda Gasparini ,, pp.

Some years later, the king and the queen, the parents of our princess, were oppressed by melancholy after having lost their only daughter. So they decided to leave for a pilgrimage by ship, and when they saw that amazing palace, shortly after their departure, they went ashore to visit it. When their daughter, Madmatt and their child welcame them, they did not recognize them.

A golden apple fell into the clothes of the king, and the princess then asked all the guests to prove that they did not steal the precious fruit. When the golden apple fell from his clothes, the dismayed king proclaimed his innocence. Princess Juliet first pretended not to believe him, and then she said:. With tears in her eyes Juliet revealed all: "This is the innocent child, born out of no fault of mine, and this is Madmatt, who has become very wise thanks to the power of a fish named Tunafish".

A child is the offspring, a bud, a fruit, a gem: the Italian word gemma means both gem and bud , by which the plant reproduces itself. Birth is a mystery, both for believers, who know the reality of a magic pregnancy from the Gospel or from the Hindu poem Mahabharata, and for non-believers, who ought to call mystery what they cannot control and master. The king did not give credit to his daughter when she affirmed her innocence; if the queen and his counsellors had not held him back, he would have sentenced her to death as soon as her pregnancy would have become visible.

Therefore, he lost his daughter, and his melancholy is the penalty for having at tempted to halt the flow of succession. Then a new king ascends to the throne, another game, and another story can start. The defeat of the king is the same defeat of all parents, when they discover the radical alterity of their children, when life takes them away from their control, putting an end to the absolute mastery that they had until that moment exerted.

A coincidence would be the total failure for children, because it would be a negation of the difference. Without this difference, that makes unique every human being, no subject could take shape. They can come to terms with it only after a long and hard reflection. In the tale of Madmatt, the king, representing the law, cannot understand magic, just as the king in the fairy tale The Cockroach, the Mouse and the Cricket , because they ignore or condemn whatever goes beyond their mastery. In a similar way, the little princess, in a barrel shaken by the waves, gives credit to Madmatt who is telling her that his magic friend will easily lead them to safety.

Then she saves herself together with him and their child, conceived with the magical help of the Tunafish. We find other amazing magical pregnancies, e. Nevertheless, is there not something magical in every birth, in every child who resembles a man and a woman coming from different families, and ancestors of which every memory is lost? The art of storytelling, as well as every other art, requires a work of symbolization, looking for nourishment beyond realism: a fabulous nourishment:.

But what shall we say to those who have such compassion on my hunger that they counsel me provide myself bread? Certes, I know not, save that, whenas I seek to imagine in myself what would be their answer, an I should of necessity beseech them thereof, to wit, of bread, methinketh they would reply, "Go seek it among thy fables.

Boccaccio , Day the Fourth; p. Princess Juliet enriches her father by showing him how Madmatt might look guilty even while being innocent, and life flows again thanks to this ending, with parents who now meet their lost daughter once again. She, the only heir of the king, gets what is due to her, ascending to the throne together with Madmatt. This may happen after events full of risk and magic: living happily forever after in a fairy-tale and in our memory.

We would now point out some features of our new tale, which with pleasure we found in the film Cinderella , directed by Kenneth Branagh and produced by Walt Disney Pictures US, The first feature concerns the role of the prince.