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Comments 3 Share what you think. View all. Basically, he'll be chill, calm, and a progressive free thinker. Lisa predicts Psalm will be just like his dad, and might even take over the Yeezy clothing line some day. Kanye will view his son as a creative and artistic individual—also, as an equal and confidante. Psalm is going to be complex, intense, exciting, scandalous, and definitely never basic.

Sound familiar? Basically, a Yeezy clone. The thing is that all these traits may make it harder for him to get along with Kim, who is a Libra.

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He may find her to be critical at times," Lisa said. But there was a problem. Or rather two problems. The first problem was that Fred Weintraub, the Warners East Coast Production chief who had godfathered Eliza's Horoscope, had tried to oust the West Coast production chief, John Calley - but he'd failed in his attempted coup and had to resign. So John Calley was not very keen on any of the films Fred Weintraub had backed.

John was frank about this. It's not the usual fare that Warner puts out". T he second problem was this was the year Warners released The Exorcist , which was making them a pot full of money. So they had much less interest in whether they put an effort behind my picture in order to recoup their relatively modest investment in it. Put the two together and it was clear Warners was going to give Eliza's Horoscope a muted distribution. When I thought the situation over, I decided to ask Warners if they would give me the film to distribute. So I did. And that's how my company, O-zali Films, became the distributor of Eliza's Hosocope.


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The original deal with Warners granting me the distribution was for ten years, but they have renewed it until the year Little did I know what I was letting myself in for? The first public showing of the film was in the summer of at the Festival of the Americas , a film festival on the Virgin Islands , where the film won an award I can't remember exactly what. The organizers told me Tommy would also have won the award for best male performance, but they didn't want to give the award to an American.

When I got back from Tehran , I decided to launch the film in the nave of a church in Montreal. I thought the event would underscore the film's basic theme of spiritual quest, while providing an unusual event that the media could remark upon.


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  • For the occasion I spent money to transform the church into a cinema. We put up a big screen in front of the sacristy, built a 35mm projector booth in the balcony, and bought foam cushions for all the seats. Every Saturday night the screen had to be taken down to allow for the church's Sunday morning service, and then we put up the screen again Sunday afternoon. The film played for five weeks. And while some people obviously got a great deal out of the film playing in the church, others wondered whether it was playing there because it wasn't good enough to go into cinemas.

    To make matters worse, after that initial run, when I wanted to get the film into cinemas in Montreal , cinema owners were piqued that I had used the church venue, hence refused to show the film in their cinemas. But the place where it enjoyed its greatest success was Vancouver , where the influential Vancouver Sun film critic called the film "an unrecognized Canadian masterpiece", it played in the city's most popular art house, and the crowds were lined up around the block. Unfortunately, the film was released in Vancouver in late November and the cinema there was already booked for releases by major studios for the Xmas season, so despite its notable success the film only played two weeks in Vancouver.

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    And so it went. Trying to distribute the film proved to be costly and very difficult. Though I had dealings with a number of independent American distributors who wanted to handle the film, for one reason or another these deals fell through and we never did get distribution in the States - though the film was shown in LA in the spring of as part of a festival of Quebec films, and got a stirring review from the LA Times critic, Charles Champlin.

    Unfortunately, that company went belly-up a year later. Trouble was I'd already sent them a 1" magnetic master of the film so they could make the VHS copies. I imagine after the bankruptcy somebody got hold of that master tape and after Tommy Lee Jones won his Academy Award for his role in The Fugitive , pirate copies of Eliza's Horoscope began appearing on Amazon. Apart from not getting a cent from these sales, we have to endure the awful fact that the pirated copies are full of jump cuts which give the film an appalling jerky quality.

    I'm now embarked on the time-consuming task of trying to get Amazon. In retrospect it would have been much less costly for me and much better for the career of the film if I'd left the film with Warner Bros. At least it would have been released in the States and internationally. Live and learn. Thereafter Marguerite devoted herself to the film day and night for seven years. Over the years I became so impressed by her intelligence, her determination and her loyalty to what we were trying to accomplish, despite the problems we had to endure with the film, which I grew to respect her and love her.

    We started living together and eventually had a child and got married. In any case, that Eliza's Horoscope exists has a lot to do with Marguerite, and I am profoundly grateful to her. People often ask me how come I never made another feature film.

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    For one thing, as you can see the process is long and torturous. Besides, I never came across another story that I thought so compelling I just had to make it into a film, no matter what. Maybe in the next life. Tell me something about the movie you're doing. Well, there's a film that Richard Manuel Band pianist was in.

    It was a film produced in Canada by a guy we know that used to be with the Canadian film board. His name is Gordon Shepard. Anyway, we're beginning to start a new record and what's going to happen on this we're not really together on yet. I don't know what's positively going to happen.

    The movie is called Eliza's Horoscope and it's just a kind of a long thing to explain. Anyway, I'm a little hesitant to go into it, because I'm not sure what's going to happen yet. The truth is it's only 90 per cent edited and it's just going to depend on some ideas. If our ideas match, or we can really go behind the movie, we'll do it. Is it one of these "psychedelic" astrology movies? No, it's not very psychedelic. No, I don't think that's how you would describe it. You might say it's a little freaky. Anyway the point is that I wouldn't really want to say because we might not do it.

    I might be a soundtrack thing and it may not, but Richard's already done his thing, he did it a few months ago. He plays the part of a wealthy man who belongs to a club with other men that have a kind of religion of their own going. And it's based on some things. It's complicated to go into and you can't even sum it up in a couple of lines.

    It's a whole story you know from beginning to end. And is the main character Eliza? He meets her and they have an experience together. He doesn't make it with her. He takes her to his place. It's like all monks. It's all these wealthy men that have gotten together and pawned their money so they've got something to do on Tuesday and Thursday nights or something. You know it's their club. What other projects have you been into since you recorded Cahoots?

    We've done some music. I just got together some music for whatever, we're gonna start recording again in about a week from now. Do you have any songs written for that album, for the movie soundtrack? Yeah, well, I don't really do it that way, you know.

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    I don't really write a bunch of songs and say let's go do an album. I write them down when they come according to my feelings and ideas and then we when get down to the reality if making a record then I jump down and try to get into the songs. Very seldom do I ever have anything to kill time, though on Big Pink the songs were written beforehand.

    Gordon Sheppard.

    Redeye - Redeye (1970)

    The Making of Richard Ballentine. Rose Quong. Susan Jains.


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