Winnipeg free press horoscope january 11

You are the financial wizard of the zodiac. Jan. 19). Work alone or behind the scenes because you feel the need to withdraw and catch.
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Be sensible. This is a marvellous, creative day. Enjoy socializing and having good times with friends. Enjoy romance, socializing, sports events and fun times with kids. Beware of moon alert. You are focused on home, family and your private life this week. Important repairs and redecorating projects are on your list.

Nevertheless, because of the moon alert see above , do not shop for your home today. Ideally — kick back and relax. Nevertheless, you should know that most of this day is a moon alert, so think before you speak. Furthermore, restrict your spending to food, gas and entertainment during the moon alert. This week there are four planets in your money house, which means you are thinking about money, working hard to earn money, plus making plans to spend it.

Meanwhile, during the moon alert today, restrict your spending to food, gas and entertainment. Well, well, well — the sun, Mercury, Venus and Mars are all in Virgo. Nevertheless, while there is a moon alert in your money house, restrict your spending to food, gas and entertainment. And postpone important decisions. And indeed you are. You are waiting for the sun to enter your sign on Sept. Until then, play things low-key. See moon alert for today. This is a lovely day to schmooz, which means you will enjoy the company of friends, as well as the company of classes, groups, clubs, conventions and conferences.

This is a tricky day, because a handful of planets at the top of your chart help you to interact with bosses, VIPs, parents and teachers. Nevertheless, the moon alert today see above is a bad time to volunteer for anything or agree to anything important. Ditto for spending money. You long for escape, travel, adventure and anything different that will bring some fun, stimulation and change to your life. In fact, this might happen today, but it might not be the way you want. This is a goofy day for travel and legal matters. Batten down the hatches. Because a bunch of planets are in one of your money houses, do be aware that this is a poor day to spend money.

Except for food, gas and entertainment. See moon alert above. They may also travel through different dimensions and universes. They are re-evaluating the possibility of spending the rest of their lives together. TPM is committed to diverse, inclusive casting and these roles are open to actors of any ethnicity. TPM encourages submissions from artists who self-identify as members of under-represented communities.

Please include a current photo and resume together as one PDF if possible. Successful applicants will be contacted to schedule an audition time and sides. Accepting the prize on behalf of all was artistic director Ardith Boxall and associate artist Andraea Sartison! Read more about the MAC award and award winners here! L to R: Hon. Thank you! TPM created something original and thoughtful, while building respectful community connections and relationships.

Interlake artists and community members participated alongside Chautauquay tour facilitators to explore and celebrate a mutual interest in the development of the arts in rural Mb. This project truly embodied the heart and soul of community connections. Before you all get blissfully distracted by the Winnipeg Fringe Festival…. What we can tell you is that the fabulous outgoing artistic director of Shakespeare in the Ruins, Ms. Michelle Boulet, will be directing our first production opening on January 31st, !

This saucy and wickedly smart play will heat things up in the dark, cold winter. A Canadian Classic that founding artistic director Harry Rintoul would approve! Casting and creative team announcements with full press release! This gem has been in our secret development chamber just simmering, waiting to head into a final year of hands on creation! We are putting the finishing touches on the team right now — and then this new play hits warp speed development this fall and winter.

Surrounding this Manitoba creator for the creative process will be the cast, designers, dramaturg and director Ardith Boxall. Directed by Andraea Sartison. Assistant Directed by Ross McMillan. Illustration by GMB Chomichuk. Projection by Matthew Waddell. Animation by Laura Anzola. Lights by Itai Erdal. Sound by jaymez. Stage Managed by Jane Buttner.

Technical Direction by James Thurmeier. Design Menotor: Brian Perchaluk. Plus many more beautiful contributors and mentors on both this iteration and the last 5 years. Meet with the novels creators and learn about the process used to devise the companion pieces. The launch features signing opportunities and a private party with the artists prior to seeing the show.

A mix and mingle for artists and theatre lovers alike! An opportunity for the creative communities behind Red Earth to come together. The show will be followed by a talk back about the creative process featuring co-artistic-leads Gmb Chomichuk and Andraea Sartison. The evening will also include a gallery display from local comic artists, to show the depth and breadth of this industry in Winnipeg. The gallery can be enjoyed post show and at intermission, and the participating artists will be available to meet and greet. Tickets available at brownpapertickets.

I joined this project a year ago because it looked like the most fun I could ever have and still be writing. So Rick Chafe is walking on Mars, and his foot catches some object, and he trips and falls. Is there more sci fi writing in your future? So, naturally, I found a class on science fiction. It was in that time that I began to look at sci-fi as a tool in writing, rather than a vehicle for lightsaber duels.

What I love about sci-fi is how it immediately alienates us, but in the struggle to place ourselves in its strange new circumstances, we find some sort of recognition. I loved bringing that to theatre. There will for sure be more in my future. A long dead pianist wakes up in the future?!? What would it take to get to you to Mars?

Besides a spaceship. Would you be ready volunteer or the last to leave Earth kicking and screaming? I like watching our characters grapple with that. Honestly, I think the bike paths would just have to be better than they are here. As an actor he has worked for a number of professional stages across the city, including the Royal Manitoba Theatre Centre, Prairie Theatre Exchange, and Manitoba Theatre for Young People, Winnipeg Jewish Theatre, Shakespeare in the Ruins, and has had the opportunity to perform in schools and communities across Northern Manitoba and Ontario on five regional tours.

He also makes coffee. Tales from the Chautauqua Tour! Join these fabulous artists for music and stories from the Interlake. Directed by Michelle Boulet. NOTE: Each actor plays four characters that may present as male, female, or non-binary. Actors are asked to read the script to choose which track they would like to read for. Auditions will be by appointment only. Calling writers, comic creators, playwrights, screenwriters, theatre artists and more! This workshop will coach the participants through creating text for comic books and then translating it to the stage.

Using a hands on approach, and devised theatre techniques, participants will generate scripts will then be read by professional actors to receive immediate feedback. What is the purpose of lighting in the theatre beyond making actors visible? What is the language of lighting, how can it be manipulated and integrated at any stage of creation or production?

What is the process of creating a design for a show? What is best practice in collaborating with a lighting designer? Discuss these questions and more and probably a whole lot of great stories , with visiting lighting designer Itai Erdal. A second coffee date will be held the following week to dive into lighting design with Siminovitch prize nominated Itai Erdal. Facebook event here. To show where fundamentally we are the same as cis people. And to show where we are different, unique, special, valid, deep and valuable.

In my case, I want people to know how important it was that I was doing something valid. Scientifically and spiritually. That hormones and surgery would quell my lifelong gender dysphoria and that surgery would make me feel complete and for want of a better word, normal. I think many people have very little knowledge of trans people and seem bizarrely incurious, but also permit themselves to wax for hours about our lives and our rights and our needs.

I think the science is growing more firm every day that trans brains have a variant that can be seen with instruments, a variant that makes our brains appear closer on some mappings to the gender we know we are. This is something I did that I needed to do, that I did years too late and that is very serious and life-saving. Also, people should know many of us are very happy but we are so often treated like garbage and it wears you down and kills your trust.

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I am one of the very very lucky ones. I have loving friends, a loving family, a job, a home, and my health. All these things are taken for granted by many. Many trans people have none of the above. People are trying to erase us from public life and I often feel like they are succeeding. There are two answers. Then, I, and the world changed and the limitless potential of stripping binary and gender from art suddenly freed the whole enterprise.

I had always wanted this play to be the inside voice of a trans child and adult since so many stories of trans lives are about bodies changing and bodies colliding with others. If I see one more news story of a trans woman that starts with her or them putting on makeup, I will hurl. In assigning lines to this cast, I ignored gender leanings and you soon find they are so pervasive and yet so easily dispensed of with patience and imagination. I focused entirely on their individual strengths and since this work is basically blank verse, on how I could hear them or they saying a particular line.

And I hope you all agree. How are you able to be so vulnerable and forthcoming about your life experience. What motivates your vulnerability? I think more properly I write about times when I was vulnerable and part of maybe why the play ends at the start of my transition process is that I am still vulnerable in being a trans woman who only passes as a woman some of the time and I need more time to look back on this vulnerable time.

I think you need to be not angry to be funny, and not angry to write about the hurt you have endured and the hurt you have caused, so you need some growth and distance. To use an alimentary metaphor I think we can only regurgitate what we have fully digested. Otherwise, your work is gas or puke. That this was a spiritual journey for me: from innocence, through a wilderness of puberty and pain, to purgatory and bardo and finally to redemption rebirth and happiness.

Friends, cooking, reading, rats, opera, theatre, classical music; feeling happy and alive most of the time now. Also, since my transition, I am more interested in looking at things in a different way. I love ghosts and the enneagram and take the horoscope serious enough I will avoid stuff if it tells me to. I also attend Quaker Meetings, St. I love the quiet of the Quakers and the music and sermons at Young and St. You are a huge fan of opera — what are your top three opera picks that everyone should see in their lifetime? Not much. It was coming to the end of a dirty, sluggish, impoverished, depressed time and a better one would not begin until years after we left.

Moving to Toronto in mullets excepted was the best thing my parents ever did for themselves or my sister and me. Cynically: that there was an AIDS crisis and many many many young people died and no-one seemed to care, not really. That as crap as it is for trans people now it was ten times worse for any gay or in any way non-cisnormative non-heterosexual person when I grew up. Also, it was a true death sentence so the idea of thinking you were infected and being terrified to get tested made people antsy and grumpy and tired but at the same time most people walked around like nothing was happening.

I am getting married! I just have to meet someone. I am leaving the Winnipeg Comedy Festival after 18 years. I am teaching, I love it. I want to read even more and write poetry. Tuesday, January 29, A New Year! New Beginnings! New Art! Start your year off with inspiring new ideas! Curated by Tanner Manson! Music new and beloved and maybe more? Inspired by their love of storytelling, Fill The Whole Theatre Company aims to collaborate with a range of artists and community members to create multidisciplinary theatrical experiences.

Hera Nalam is a 23 year old up and coming singer-songwriter and actor originally from Cebu, Philippines but is now locally based in Winnipeg. She graduated from the Centre for Indigenous Theatre in Toronto of Facebook event. We would like to wish everyone the happiest of Holidays and the very best for a New Year filled with peace and joy, happiness and good health and every other good wish for YOU, our fantastic friends! Thank you to all our community partners for opening their hearts and homes to our merry band of artists!

Dances for teens and seniors were hosted with the Country Pride band. Finally, our hearty thanks to the Goodwill Social Club for hosting our Salons. Good cheer and warm hugs to our volunteers for all their enthusiastic help. We want to thank you for all of your support and love — we really appreciate each and every one of you! We know that sometimes you need a wonderful and clutter-free!


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We think we can help you out: Tickets to Dragonfly, playing March , ! Not sure which performance they will be attending? No problem! One size fits all, nut and gluten free, and fast! Plus, giving the gift of great theatre AND supporting your local non-profit theatre makes you look like a star — win-win! Call us — — if you need assistance! Sometimes online purchases prove tricky, and we can also process your request over the phone.

Happy Holidays! A whole new expanded family. This sums up the last month for a group of rag-tag artists in the Interlake. Little did we know how when we set out about how rewarding this experience would be. The way each community welcomed us in with open minds and open hearts, showed us that art can live anywhere. Reflecting back on the tour as a whole, the only regret was not being able to do more.

At the end of each week we felt we had just begun to crack the shell that was the artistic potential of each community and begin to find our place within it. When we entered our last week and I could feel tour coming to an end. I had an odd mixture of feelings. We clung to each night as we were able to- not ready for the tour to end. You could say we lit up the town, or at least the bar! We were very proud. In each community we would learn about local history, and also engage in conversations about the struggles of the present and hopes for the future.

This came to life in a new way as we prepared for our final presentation in Teulon- where we hosted an afternoon of performances and activities to help the town brainstorm ideas for its Centennial Celebration next year. We shared stories we dug up from research at the museum and demonstrated ways we thought they could teach this history, while engaging the whole community in making plans and dreams for the next years. Today as I sit at home reflecting on the weeks that have recently passed, a few names still ring in my head: Patsy, Joel, Adeline, Merle, Emily, Ray, among many others.

These people are what made our time so special. So in the closing moments of the Chautauqua tour I personally want to say thank you to each and every one of those people- and all the community members who supported us. Talk soon. We will see you soon. Community Sponsor: Teulon. Advertising Sponsors.

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Owner and operator, Bruce Tascona gave our cast a tour. The past week in Arborg was a trip to say the least — the word trip used in both a metaphorical and literal way. Our week centred on community workshops; a kitchen party, vinarterta and pierogi making, rug braiding, and theatre workshops. The meat of our time however, came from two historical tours. At the beginning of the week, we the artists were instructed to listen, watch, and create something of artistic significance to perform for the public tour at the end of the week.

This opportunity was unique as it allowed each of us to interpret the legendary stories in our own eclectic way. From spoken word poetry, story telling, performance art, to song, we had it all. But there was one piece performed that held a collective significance. In this piece, we were to write names of significance within our personal heritage on a card. If we felt willing, we were to say the names of those we represented, releasing them to the lake and sky. Then we placed the cards into a fire on the shoreline of Lake Winnipeg.

After each person read their set of names there was a breath of silence creating an odd mixture of feelings. At first, it felt mournful, but soon transformed to a reverent celebration of heritage. This event summed up my experience in every community thus far. At the beginning of each week, we enter as outsiders, but by the end, we leave as family. This act of letting go, but not forgetting, helped as we left yet another family in Arborg and Riverton. As we enter the final week of tour, I am torn. The experience from start to finish has been one big grand experiment, forming relationships that will stick in our memories and hearts until the day we come back to make more memories.

As we begin this final week, we find our self in Teulon, the gateway to the Inter-lake. Once again, we enter as outsiders but are certain to leave this fourth and final community as family. Interesting fact about Teulon: Every September Teulon celebrates pumpkin fest. Among the many attractions the famous pumpkin growing contest leads the charge! Hot off the heels of this Chautauqua and to rave reviews from audiences! Tickets still available for Opening Night — get tickets on our website or by calling !

Letter from the road: Week 3 — October 25th Each week as I write these entries I find myself looking forward to the week to come. During our time in these communities there were two events that were defining moments. The first was the Lundar community dance. This dance had people of varying ages: the elders, the youth, even the school principal was there!

This inter-generational connection summed up much of our touring so far- being able to collaborate with, and bring together all ages. The dance was also a ceremony of dares. Our merry band of artists have left Winnipeg to explore another fabulous area in the Interlake! Leaving the Moosehorn area late Sunday evening, we all felt a sense of belonging and accomplishment. The first week of tour did so many things for our group, as well as the community we inhabited. After a week filled with eclectic programming, we discovered that we had a second family in Ashen and Steep Rock.

As we left on that snowy evening we all had love in our hearts from the small dedicated towns, and ambition in our minds for the weeks to come. A day off came and passed on Monday and Tuesday we gathered again and set sail back up the Six; a happy new routine. Heading into Lundar we could tell that this town had its own unique personality. Our first stop was Lundar School. After our time there, we left for Eriksdale. This was clearly the it place to be in town. After our group meal, I took the opportunity to explore the town of Eriksdale.

The trees, roads, and homes seemed peaceful and untouched, like it had always been there. These two towns are proving to be unique and prosperous in their own way, and this tour is proving to be an experience worth remembering.


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    • With week One in the books and week Two moving steadily along, we look forward to the adventures and discoveries we will uncover in the coming days. I hope you are enjoying these stories as much as we are living them. Well, as always Winnipeg, its been nice. See you in a week! They have the only creamery museum in Manitoba! Riverton, MB pm, Riverton Hall. A Song for John Ramsay was commissioned by the New Iceland Heritage Museum as part of their newest exhibit that focuses on the legend of John Ramsay, and was created in the spirit of Reconciliation to highlight early stories of partnership and friendship between Icelandic Settlers and the Indigenous people in the New Iceland area.

    It was noon in Winnipeg when we all met up, packed, and set sail for the 6 the highway that is. The prairie roads held many a cow and plenty of flat land. This was the spot of our first group meal. We met up at a small diner before heading into town. It was a humbling experience having a table of talented artists sitting together about to embark on a journey the likes of which we had never seen before.

    Our next stop was the Steep Rock Community Hall. There we met with locals and listened to their stories over coffee, tea, and great cupcakes, possibly the best cupcakes. From there we all went our separate ways ready to embark on tomorrow. Watching from the outside looking in it became a surreal experience for me. For example the flooding in caused many a heart ache and many a tragedy that to this day have not fully been resolved.

    This tour represented more than just a show, it represents the Interlake and the resilience that it holds. Our Interlake Chautauqua is helping to rejuvenate a Manitoba wide arts scene. Later we began our workshop series. This entry is one of many. I plan to write to you with updates and gentle facts about the areas we will explore. Each entry will be filled with stories, heart, and updates on what the Chautauqua team is up to in the Interlake. The workshop will introduce students to the art of object theatre.

    This will be his methodology and will act as a launching point for the participants to begin the process to find their own. Greater effort will be placed on practical performance aspects. On the last day the participants will showcase their discoveries. Constructive feedback will be exchanged. Space is limited. Participants will work in pairs.

    When enrolling participants can enroll as a duo, otherwise Grant Guy and Theatre Projects Manitoba will pair up participants. We are excited to be treading new waters in the Interlake of Manitoba this season. For two years we have been scheming dozens of events, workshops and performances with hundreds of Manitobans who live beyond our perimeter.

    We are looking forward to learning from and creating with them. We invite you to join us on tour. Whether you are returning to your roots, or exploring a new frontier the Interlake will delight, and we know that this new kind of work will also be refreshing for our steadfast Winnipeg audiences. Our Chautauqua tour is open to all- urban and rural, old and young. We hope to see you on the road! Steep Rock, MB: October Arborg, MB: October Teulon, MB: October November 4. Join us for our 28th season! This fall we bring to life a modern- day Chautauqua.

    A merry band of multidisciplinary artists will go on the road together for one month, conducting one week long residencies in four Interlake locations: Steep Rock, Arborg, Eriksdale and Teulon. While the artists reside in the community they will collaborate with local citizens through workshops, art projects, and performances. We will also share poetry, and theatrical readings devised around our Interlake research. And bring your appetite! There will be delicious food from our friends at Feast Cafe!

    We will bring with us a beautiful production, and a caravan of artists- musicians, writers, performers who will collaborate with the Interlake citizens on workshops, cabarets, creative projects, performances and more! Join us to hear about our plans, and help us raise the funds required to take theatre to the highways and waterways of the Interlake! Tickets are available right here , right now or by calling our office at After a whirlwind opening week and weekend of A Short History of Crazy Bone , we are just tickled by the lovely audiences and reviews we have received!

    If you are still looking for tickets for, you can buy them online or by calling us at A reminder that our Students Night is coming up this Tuesday, April 3rd at 7pm. See you at the theatre! Theatre Projects Manitoba is delighted and honoured to invite you to the world premiere of A Short History of Crazy Bone , a performance that treads the line between poetry, dance and theatre.

    Crazy Bone is traveling to the river, trying to find a way back to herself. Crazy is a trickster, a wild woman laughing, a campesino, the artist. The ghosts she lives — and sometimes dances with — are not past loved ones but present companions. At the heart of the play is the movement, the process, of Crazy finding where she belongs, a spiritual odyssey in deeply human form. Exploring the bounty of bringing generations together in art and life. Our youth are agitating for radical reform, rebellion and revolution in art and in the world.

    Do we only rewrite the story that came before us? How do we embrace Elders and our faltering but necessary relationships. Thank you to everyone who has been with us in the artists who shared their brilliance in collaboration, the audiences who shared a tear or a laugh and their time, our friends in the Interlake who have shared their homes and stories with us, our supporters who give whatever they can! We feel very fortunate to have such a strong community, and we look forward to spending more time together in Enjoy your cozy winter, Merry Christmas!

    Purchase before December 15th using the code: Crazy Deal! And we will send your tickets in the mail to you before Christmas. Seeing, hearing, differently abled, our imaginations are as powerful as each one of our senses. This is a free event, open to the public taking place from pm on November 28th! Please, join us. You should not, however, see it. Set in the then-distant year of , it tells the story of Polly Anna Cummer and Peter Tyrell Crews , who decide their unborn baby will be delivered by a high-tech birthing machine. But a malfunction results in the child being born in a different dimension — and appearing to his parents, and the rest of the three-dimensional-seeing world, as a tentacled, blue pyramid.

    Can Polly and Peter learn to love their extra-dimensional child? The story unfolds for us completely in the world of sound, and while performances here are very good or sound very good, anyway , the real star of the show is the sound design by co-directors Rose and Waddell. Voices move around the room, past us, seemingly coming from all points thanks to an ingenious speaker set-up and some superb sound recording.

    Noises and voices often layer, phase or flange with musical effect, creating a rich sonic soundscape. It can be an intense, and sometimes discombobulating, experience. And coming in at just around an hour, it lets us return to the visual world long before its powerful effect starts to wear thin.

    They also provide a critical bridge for theatre students, helping TPM facilitate the transition from school into the theatre community. I was initially inspired to study theatre as a tool to increase my skills as a dancer, but was then inspired by theatre artist of all types as they used their art as a mode of social change. I am currently focused on studying contemporary dance techniques and choreography and love when I can call on my theatre skills to add to a choreographic process.

    On the weekends I have the honour of assistant directing the MTYP Musical Theatre Company and get totally over-whelmed when they preform their show each spring. It is amazing to witness youth take a stage with such artistry I still get the chills when I think of some of the notes those kids can hit!

    This year as a TPM student rep I am excited to witness and help support the art that gets created and produced in Manitoba! A secret special skill of mine is that I can count to 99 in Japanese I forgot the word for Theatre has been a part of my life since before I can even remember. My moms says I would perform plays with my stuffed animals for her when I was just 2 years old. Special skill I wish I could put on my resume: I can lick the inside of my nose.

    Theatre has the ability to spread, and connect everyone that comes in contact with it. My goal for this year is to grow and learn as much as I can, so I can help impact lives with theatre, like it did for me. I am in my fourth year studying theatre at the University of Manitoba and my second as a Theatre Projects Manitoba rep. As well as working backstage as a Stage Manager and a Lighting designer.

    Friday, January 04, 1952

    Falling in love with theatre and film as a means for self-expression, I enjoy acting, directing, and really anything that gets me involved in the art. This year I hope to build on what I learned as a rep last year and take on more responsibility, as well as try new and interesting ways to do theatre. But not only did I catch that acting bug, I caught a stage management bug, a production bug, a bug of all things creative so studying theatre just seemed like the right choice.

    My name is Chris Sousa. I never really knew what I was going to do growing up but I knew I wanted to create, and theatre has always been a medium that made me feel fulfilled in that way. I have been doing theatre for as long as I can remember. This is my first year working with Theatre Projects Manitoba as a student rep, and I hope to soak in as much as I can, to take a step in the right direction when it comes to defining myself as an artist.

    I am in my fourth year at the University of Manitoba. I enjoy acting most of all at university, but am interested in writing for the stage. Fun Facts: Alistair was fortunate enough to see a few plays in England in , one of them being Dr.


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      • This four-day, 18 hour, workshop will combine lectures, live demos and in-class excercises that will guide participants through the process of digital audiovisual design and show control from conception to delivery. The intensive is intended for students, technicians, designers, artists and educators with little to novice experience with mutlimedia design or digital tools. Qlab will be the backbone of this intensive and we will learn it from the ground up, starting with the very basics and slowly moving through its many features. We will look at how build basic and complex audio and video cues, how to apply live effects, video mapping onto custom surfaces and non-conventional shapes, working with multiple projectors and show control using MIDI and OSC.

      We will look at proper audio workflow techniques and software tools for making your audio sound better in any environment. Although not mandatory, participants are encouraged to bring their own Mac OS laptop computers to follow along with the demonstrations. We will be using Qlab extensively. Please have it installed and ready to use when you arrive. You will also have access to a projector so please bring a VGA adapter for your computer. Matthew Waddell is an audiovisual artist, multimedia programmer and educator.

      Matthew has been involved with digital arts for the last ten years and programs his own audiovisual performance software which has been used in Theatre, Dance, New Media, Music creation and recently Architectural Building Projection. Matthew is an instructor and coach in the production department at the National Theatre School of Canada.

      This will allow us to send you documents, including our new bylaws to prepare for the meeting. An unforgettable sonic journey that has to be heard to be believed. This long poem-turned-monologue awakens Crazy Bone Tracey Nepinak , a middle aged Woman living on the edge of the world, at the edge of time, wandering the mid-path of her life, on the outskirts of a small town. She skirts between dream, memory and imagination, listening to herself and to the river, Crazy Bone is a trickster, a fool, a wild woman laughing, a campesino who through loss is finding her way back to herself.

      In addition, Artistic Director Ardith Boxall and Associate Artistic Director Andraea Sartison hit the road with This Land Floods , a rural outreach project in the Interlake that includes interdisciplinary workshops, theatre education and collaboration between rural and urban artists. Our exchange will continue throughout the coming season with the ultimate goal of creating a new play for Manitoban audiences in collaboration with the community that will debut in the coming years.

      We look forward to sharing our work in progress with you at a Chatuaqua style event featuring performance, ideas and art from the Interlake in Winnipeg next spring! Salons — yes, you can expect those too! Expect four cabaret evenings throughout the year. We look forward to raising a glass to science fiction, sound, poetry, dance and Manitoba history- in the spirit of our season- with you at these free community events.

      Walk through an exhibition of scientific discoveries and displays inspired by truth, legends, and dreams about the citizens of our one great city. Interact with your generous hosts and museum curators as you venture into the bowels of Science Affairs — where the collections come to life. This FREE exhibition will be open from p. Beginning in September , the reps were engaged in devised theatre workshops to generate artistic content using the scientific process. Recently the ensemble spent time experimenting with how to unite all content created through installation and performance- resulting in the Carol Shields Festival exhibition.

      Come celebrate with us on April 10th at p. It will be a casual evening of music, dancing, visiting and your chance to win a Theatre Projects Manitoba Re-Ward! Join us at this free event! We invite you to join us Feb 16thth at the Rachel Browne Theatre for the show. The first salon of is taking place on January 30th at the Good Will! Happy Holidays one and all from all of us at Theatre Projects Manitoba. Our gift to you: a seasonal delight from the Boxall clan.

      High school educators! Book your students into one of our p. Huff is a challenging show that provides a launching pad for further conversation on suicide, solvent abuse, and Canadian stories. Cozy up with us and get ready to ring in the new year. Friday, November 18th at p. Tuesday, November 22nd at p. All are welcome! Erin is a Montreal based playwright and actor. Doors open at pm. Program begins at pm. Come for a glass of wine and some camaraderie , and whet your appetite for Beautiful Man running November at the Rachel Browne Theatre.

      This event is free of charge. Call us at for details or to join the waiting list. Join us to experience unflinching stories that are artistically stunning and NOW. The season will be sprinkled with salons as well. This year, the University representatives from both University of Winnipeg and University of Manitoba come together to create a new production, through a highly scientific, laboratory-inspired creative process. Click here to start shopping or call It was a three-year journey to bringing Reservations to the stage and along with our gratitude for such a passionate artistic team, we have many people to thank for this amazing experience.

      We send a special shout-out to our high school audiences and those fantastic students who experienced Reservations with attentiveness and consideration — you blew us away! And finally, the biggest thank you goes to YOU, our dear audience! Your consistent hunger for exciting and intelligent theatre is the proverbial wind beneath our wings. Our endless gratitude goes out to you! We are so pleased to welcome the very talented and accomplished Emma Tibaldo.

      She co-directs Reservations alongside Winnipeg-based artist and educator, Ian Ross.

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      What draws you to new scripts? Ideas on what it means to be human, including our ability to be inhuman. An ability to see the world differently. That is what attracts me to new work. The fact that we are creating two plays. Inhabiting two separate worlds with the same actors playing different characters in each play. Finding the ways in which the plays speak to each other and exploring prevailing attitudes towards First Nation issues of Land claims and Child and Family Services without underplaying the bonds of family, love and our human need for making connections.

      Winnipeg Free Press - The Paper: Behind the Scenes

      Created using Viewpoints over a two year process. Rumour has it you are part of a family band, The Tibaldos. What kind of music do you perform? So, the family band is made up of my husband and two friends. We have been playing in our basement and playing shows locally for about 10 years. We call it lounge punk but it really is punk. We are all lovers of noise. And we are happiest when we get together to make that noise. His accomplishments are numerous. Of Cree descent, Balfour has written a body of more than 40 choral, instrumental and orchestral works.

      Andrew took a few minutes out of his busy schedule to answer some question for us about his life, work and inspiration. What are some main inspirations for your work? Preparations for Reservations are in full swing now that the creative team has entered the rehearsal hall.

      The show runs March 10 to 20th at the Rachel Browne Theatre. Tickets are available right here or look in the sidebar to your left! An outstanding team of Canadian artists will bring Reservations to the stage, starting with playwright and actor, Steven Ratzlaff. We have worked with him as the play has been workshopped and developed over the past three years with generous support from Playwrights Workshop Montreal and the Manitoba Association of Playwrights joyous thanks to those organizations!

      Emma has a deep understanding of new play development and production. Ian Ross co-directs, bringing his own extensive background as a Manitoban First Nations theatre artist. We are excited to introduce our audiences to Andrew Balfour , a highly accomplished Manitoba Cree composer, and the founder and Artistic Director of experimental vocal ensemble Camerata Nova.

      Andrew is creating the original music and sound design! If it is not already apparent, Ratlaff has a talent for writing politically-minded plays! When it does, I might start writing a scene. If I start to hear the characters talking in my head I know that there might be a play. Situations that interest me are ones where well-meaning people are in conflict with each other or even themselves.

      This conflict might be about different priorities, different beliefs, none of which are bad. Canadians value all kinds of ideals and things differently. The resulting tensions are felt even within individuals. Take one question that is asked in several different ways in both plays: What is owed to whom? The answers are not obvious. The format pairs actors and improvisers in two-person scenes. The actor is given only their lines from the scene, and must stick to the script; the improviser is given nothing! Join us at 7pm at the Times Changed. Doors open at 6pm, so come early for warmth, drinks and delicious tex-mex treats.

      Admission is free for Season Passholders and by donation for civilians. We heart our intrepid Encounters performers in a serious way. We picked their brains this weekend about their artistic experiences, social media and insects. Here is what they told us. TPM: How old were you when you started performing? I think the first words out of my mouth may have been an impression of someone else. TPM: Your first time on stage? TPM: First piece you ever wrote? FW: Myself. To me, art is inherently collaborative. TPM: Do you prefer collaborating or working alone? SH: Bees. Because they actually do shit.

      All other bugs are buggers. FW: Spiders. Most animals people are terrified of fascinate me to no end. They build their houses out of their butts! The Future — your least favourite form of social media? But I can tell you what I dislike about it. It makes us all closer, but it also tears us further apart at the same time.

      FW: All of them. There was a time when everyone smoked cigarettes. Without a thought as to what it was doing to our health, both personally and as a culture. How did we get anything done?! How could we have possibly gone all that time without eye contact or actual conversation using our mouths and ears?! So weird!! Sydney, Elsa and Fraz would like to talk, laugh and share ideas with our patrons.

      There will be painting, dancing, cocktails and time travel. There will be a sharing of space, ideas and energy. We will meet each other. Saturday January 9 th. Sunday January 10 th licensed. Tuesday January Friday January 15 licensed. Sunday January 17 th. They are rule breakers who are not afraid to strip their show down. No sets, no bells or whistles. As a result, pure performance, adrenalin, passion and more personality than should be legal. What better way to encounter a cold January night than to meet two young artists who burn with the heat of a thousand suns.

      TPM : Is there anything in common between these two shows? Are they related thematically? AB : There is adventure. And misadventure. These are stories about how we move forward even when the path seems like a nasty and ill-fated mission. Sometimes getting up in the morning, and sometimes saving the universe.

      It can take the same intrepid spirit to move about in our world. These plays have big beating hearts. But ultimately, there is love in them. And so much laughter. Date: Monday November 3oth. And more!!!!! Check out their website and menu here! This week we are shining the spotlight on Heather Russell , playing Anna in Iceland. In the grotesqueness of the bouffon is a truth about humanity. HR : I was originally going to be a teacher. I was at Brandon University in my 3rd year of a B. It made me want to pursue theatre as a career.

      TPM: Iceland is a trio of intersecting monologues. The audience becomes our acting partner, so we never know what to expect! This week we are shining the spotlight on Laura Olafson , playing Kassandra in Iceland. Laura chatted with us about her time in the country Iceland and why she considers herself a drama queen. You travelled to Iceland in What was that experience like? What made you want to visit the country? Can you tell us more about your experience with Cahoots and The Wanderers?

      Cahoots is a small company whose mandate is to produce new works that examine the complexities of cultural and sexual diversity. Kawa was also very collaborative as a playwright, and was open to making changes right up until opening night. Sometimes the actors would walk into rehearsal and have a page of new lines thrust at them, or have a page of lines cut, so keeping up with the script changes was challenging. But in doing research for the show it was fascinating and disgusting to see how the lives of so many were affected by the greed and power of so few.

      One of many galling facts is that after the US banks were bailed out by their government, many of the bank heads and higher ups gave themselves big fat raises. When I was setting up my grade 11 timetable my best friend decided he was going to take a theatre course, so, being a follower, I signed up too, just because I thought it would be fun.

      Little did I know it would be life changing. Iceland is a trio of intersecting monologues. Sometimes we can see another actor in our peripheral vision but we never get a good look at their face. Meet Linda Beech and Joseph Abetria! As we approach opening night of Iceland November 5! Linda , our set designer, is an artist celebrated for her large scale sculpture and installations. The piece was also shown at the University Of Western Washington in What does the city make us?

      Like the majority of people I have spent most of my life in an urban environment. The crows, raccoons and coyotes that inhabit the city are signposts, marking an uneasy border between civilization and what lies beyond. My work explores this juncture and raises questions about co-habitation, ownership and territory. Joseph is designing costumes for Iceland. Any big dreams or goals on the horizon now that you are finished school? Joseph: One of my goals after I finish school is going back to school.

      I believe that there is always something new to learn and refining my craft is something important to me. One of my big dreams is to design for dance; maybe a new ballet or contemporary piece. Costume designing for dance pose different challenges to the designer and it has always been fascinating to watch the movement of a dancer breathe new life to a piece of costume.